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With the exception
of two panels (which are C14) the south-east nave window
is a collection some 2,000 pieces of C15 stained glass
which Dennis King, head of the well-known Norwich firm
of glaziers rearranged in 1938 to fill the three main and
six tracery lights. Dennis King published an account of
his work in the Journal of Stained Glass Volume VIII pp
58-62 entitled 'Re-leading of Ancient Glass at Bale'.
Glass originally
in nearly every window in the church is gathered here,and
we can find parts of at least five Annunciation scenes
which must come from five different windows. |
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Tracery
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| Tracery left:
Annunciation (1) |
Tracery central:
Annunciation (2) |
Tracery right:
Two angels |
| Mary here is quite fragmentary and the scroll is illegible;
she has wide eyes and seems to pointing a finger at Gabriel,
who smiles at her with patient amusement. |
The scroll above Mary's head which is broken by the
tracery may read Ecc[e anc]illa d[omin]i (Behold
the Handmaid of the Lord). The Holy Spirit in the form
of a dove, whispers in her right ear.
What may look like
Mary's hand from a distance,
is in fact a discreet piece of glass with a woman's hand,
holding a scroll(?)
Gabriel on the Right, has a scroll which reads Ave
m[ari]a plena (Hail Mary full...) |
The angels are sitting on a chequered floor, and both have
ermine collars.The left one has its hands in an attitude
of prayer, and the right in an attitude of praise. Both were
probably originally designed for tracery lights. |
Top part of main window
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| Left Panel: Annunciation 3a; Gabriel |
Centre panel: Annunciation 3b; Mary |
Right Panel: St Philip |
The scroll reads maria plena d[omin]us tecum (Mary
full of grace, the Lord is with you).
Gabriel holds
a sword in his right hand, and is half kneeling on a
chequered flood similar to that of the angels in the
Tracery right (above). |
The scroll reads Ecce ancilla fiat mihi, which
is part of Luke 1.38 Ecce ancilla Domini, fiat mihi secundum
verbum tuum (Behold the handmaid of the Lord, be it unto
me according to your word).
She wears and ermine robe with a scarlet band. Her feet
have been cut off. |
The large bearded figure of St. Philip , is incomplete
and is possibly the only survivor of a set of the twelve
Apostles. Each apostle was allotted a portion of the creed,
and the scroll over his head is traditionally
Philip's: i[nde venturu]s est judicare v [ivos
et
mo]rtu[os] ( from thence he shall
come to judge the quick and the dead.) |
Middle part of main Window
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| Left panel: Angels |
Centre Panel:
Samuel (?) and ? |
Right Panel: Angels |
| There are two angels here, with fragments of others indispersed.
The angel on the right has a cittern (another copy of which
is in the top right hand corner) and stands on what may be
rush or wooden flooring - a characteristic of Norwich glass.
The other angel stands on a chequered floor and the hands
seem to be clapping. |
This panel and the one below are C14 pieces (the other
panels are C15). The background to the figures is deep
red.
Figure on left
who, considering the quotation, may be Samuel, points
with his left hand to the other person, and with his
right
hand
points
to
the
scroll
or
possibly to the feet of the
person
on the right.
The scroll reads ascendit
reptas ma[n]ibus et pedibus. j.reg'. xiii:
Figure on right
has been suggested as both David and Daniel; it could
also be a donor. His clothes are blue with a golden silk
border, and his clasped hands
rest
on his
chest.
He wears
expensive
shoes .
The scroll reads post ebdomade sexagitaduas occidet'
xpc. daniel. ix:
See note
at the bottom of this page.

Between the two figures is a fragment of the
head of Christ, identifiable by a cross on the halo. |
Two angels; Like the one on the left panel
playing cittern, the one on the left here with the harp,
stands on a rush or wooden flooring. The other angel with
its hands in the air, stands on a chequered floor - could
it be that one angel claps and another dances?
Another cittern with a lions head is just above the angels.
The angel on the left has four feet - there is another
pair on rushes placed just below it. |
Bottom part of main window
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| Left Panel: Annunciation 4 |
Centre Panel: Abbess and Crucifixion |
Right Panel: Annunciation 5 |
The scroll reads: ancilla v'm (verbum)
There is a lily
by the Virgin's feet in an earthenware jar, though the
two pieces are from different windows. On
the left of the jar there is one of four shields of the
arms of Wilby; sable a fess dancetty between 3 escallops
argent. The Wilbys
helds manors here and at Gunthorpe in the early C15. |
This
panel is C14. The splendid figure of Christ in the middle
of the picture is enlarged at the top of the page.
The abbess may be S Etheldreda, but the face is a modern
replacement.
There are some sections of oak leaves and acorns in this
panel which seems quite approrpiate for Bale. |
Notice
the similarities between the left and right panels. During
the 15th century glass painters often re-used successful
designs.
This panel was irreparably damaged by being fixed painted
side out at a Victorian restoration.
The bottom right has a compete Wilby Shield. |
A Note on the centre panel
The scroll on the
left reads ascendit
reptas ma[n]ibus et pedibus. j.reg'. xiii: (He climbed
up on his hands and feet, I Samuel 14 v 13 vulgate:Ascendit
autem ionothas manibus et pedibus reptans ) and refers to Jonathan
attacking a Philistine camp. This has lead people
to associate
the other figure with David, though if any association should
be made, it would be Saul who was the king at the time. The
figure on the left may well be Samuel.
The scroll on the
right reads post ebdomade sexagitaduas occidet' xpc. daniel.
ix: (After the sixty-two weeks, an anointed one shall
be cut off, Daniel 9 v 26 vulgate:et post hebdomades sexigenta
duas occidetur Christus).
The division between
the two figures is an amalgam of various pieces of glass, so
they may not originally have had the close connection they
have now. The two partial quotations are to say the least unusual
and one speculates as to whether they had a local connotation
to
persons or events in the area in the C14 - someone perhaps
who died in the plague? |